Remapping the frozen continent

In issue 7 of Ernest Journal, writer and humanitarian Carol Devine shared the story of her mission to compile a list of female place names in Antarctica – some old, some new, some lost to a rapidly changing climate – and chart them on a new map of the frozen continent. To accompany her words, we commissioned map-maker and illustrator Aidan Meighan to create Carol's vision. It's fair to say we were stunned by the result...

'Mapping Antarctic Women', illustrated by Aidan Meighan, © Carol Devine. 

Aidan, when we first approached you to illustrate Carol Devine's map of Antarctic women, what was your initial reaction? 

I eagerly await all of my Ernest briefs and this one from Carol was particularly exciting! I loved having the opportunity to involve myself in all her incredible research. Maps are often snapshots of history; changing landscapes, politics and territories – this map not only shows history but amends it. It was a joy to map the success of these inspirational women explorers, scientists and innovators. 

What are your feelings towards this remote, frozen continent at the bottom of the world? 

It sounds like something out of science fiction – a continent made of 99% ice, with temperatures reaching −89.2 °C! I've always been a keen environmentalist and I think it's of paramount importance that we look after our frozen friend down south. Global warming and the world's biggest lump of ice... what could possibly go wrong? I've always been interested in the people brave enough to explore this hostile part of the world. But it wasn't until creating this map that I realised so many of them were women. We've been seeing Antarctica through male-tinted glasses for many years – so many maps of the past have neglected to mention the inspirational women explorers, scientists and innovators who journeyed there.

Tell us about your design process when it comes to illustrating a map.

With all maps I start by thinking of the most effective way to display the key content. From there I think about its message and how it should look and feel. Then I begin to harmonise the content with the design – it begins to get really satisfying, polishing it up until it becomes something special. In this case I thought it was important for Carol's research to do the talking. I wanted to draw influence from classic maps of the continent, while shifting the perspective to highlight those underrepresented in the past. 

You also illustrated a few other maps and images for issue 7 – tell us a bit about them. 

I LOVED illustrating for issue 7 – I could really get my teeth into it. One of my favourites was the little map of Doggerland for the East Anglia special - it's such a fascinating place and I was pleased with its aesthetic. It's really nice to get into multiple illustrations on a theme, such as East Anglia, partly because you can get into a groove from a design perspective, but also I love learning about new places. My head is full of hundreds of bizarre facts and stories, including the Orford Merman!

What's your favourite map (not one of yours!) and why?

Hmm, that is tough! There are so many to choose from and in so many styles.  Maps I love range from Ptolemy's world map, to modern maps such as Grayson Perry's A Map of Days and the extremely practical and classic design of the OS maps. Right this very minute though I'd probably go for Walter Goodacre's Map of the Moon (below), a hand drawn map of the moon's surface, drawn in 25 segments, with the total diameter measuring 77" (1910).

Where would you most like to travel?

Iceland, Japan or New Zealand. The landscapes in Iceland look otherworldly – I'd love to go there and do some drawings of the mountains, lava fields and geysers.

You're currently redesigning your website - how's that going? Any other exciting developments/projects you'd like to tell us about?

Actually we are a tad behind schedule trying to get it just right, but it will launch in May sometime, which is very exciting. As well as editorial maps for the likes of Ernest, I also draw customised maps of people's homes and favourite places. The new website seeks to marry the two a little bit and basically become a map extravaganza. The page I'm most excited about introducing is 'Maps by Aidan', which will showcase the eclectic range of maps I've drawn for Ernest and other publications, such as the map of Brutalist buildings in London, bothies in Scotland and the new maps in issue 7.

Tell us a bit about your work space. What do you like to have around you? Do you listen to music or a particular station?

I've just moved house from Bristol (an incredible place to have spent the last 12 years and started my illustration career) to the green and tranquil Quantock hills in Somerset. Right now from my studio window I see a shed, a few ancient oak trees and about 20 cows that come up to our garden fence to say hello every morning. I like to be surrounded by greenery. In Bristol, without a garden, the number of houseplants in our collection got a bit out of control. My desk is usually pretty tidy, but here's an inventory of what's on it today!

A History of the World in Twelve Maps by Jerry Brotton
A hakisak
Two yoyos (a pro yo and an X brain)
A tin of earl grey tea
Three pots of Quink ink and 1 Windsor and Newton (3 black, 1 blue)
A spirit level
A hammer
A tile with a crude painting of a man riding a horse
Some big old headphones
Two terrariums and two potted succulents
Two tea-dregged 'Habitat Connor' orange mugs
...and of course my computer

I flit between podcasts (RadioLab, Ear Hustle, etc) and get my music fix on BBC 6 Music.

Photo by Poppy French, Studio Grabdown

You can see more of Aidan's work, in issue 7 of Ernest Journal, on sale now. 'Mapping Antarctic Women' is an ongoing project and Carol is keen to add to her map. Join the conversation on Twitter and Instagram using the hashtags #ernestjournal and #MappingAntarcticWomen

Follow Aidan on Instagram @whereabouts_maps, on Twitter @whereaboutsmaps and at whereaboutsmaps.com

Shooting the eerie East

For issue seven of Ernest Journal, photographer Colin Nicholls accompanied editor Jo Tinsley on her journey along the East Anglian coast, exploring ghost towns, eroding sea cliffs and the abandoned laboratories and weapons testing facilities of Orford Ness. Colin tells us about his experience photographing these extraordinary locations

Sizewell Nuclear Power Station. All images by Colin Nicholls

Colin, what did you shoot with?

I took my Fuji XT2 and my 16mm, 23mm, and 56mm lenses. This is pretty much the standard kit for most of my work – the really small size of the camera, and the overall quality of the pictures all add up to a very nice working system. The XT2 is a mirrorless camera and much smaller and lighter than a standard DLSR setup. It's all weather sealed, which proved very useful while at Orford Ness.

How did you find shooting East Anglian landscapes, in comparison with other landscapes you've photographed? Were there any challenges?

The biggest challenge was shooting landscapes that were very minimal. Usually I look for a leading line or some way of composing the image to take the viewer's eye into it, but when there is very little you have to think a bit differently. As such, I embraced the minimal landscapes and shot in a way to show the viewer the sparse landscape in all its glory.

What surprised you most about the places you visited on your trip?

Pretty much everything we did was a massive surprise and really great fun. I’d never been to the east coast of England before, so it was nice to get the chance. I think the biggest surprise was seeing how the sea takes back the land so indiscriminately.

What was your favourite location and why?

Definitely Orford Ness. Getting to go inside the weapons testing facilities and see areas that few visitors get to see was incredible. I really enjoy those kind of raw concrete structures.

Anything you didn't enjoy quite so much?

Night walking. You just can’t see anything at all; you just follow the person in front of you. It was actually quite a fun experience, especially getting to see hundreds of glow worms, but the rain that accompanied us definitely was not. When I got back to my tent everything was wet, so I had to sleep in my car instead.

Where will you be going next with your camera?

I'm currently planning a two-week tour of Iceland, which will be my fourth trip to this wonderful place. This time it’s a solo journey and I’m hoping to get a lot done in the two weeks, particularly things that aren’t the standard tourist destinations. I’ll be documenting the whole thing so I’m hoping to put together a short film by the time I’m done.

What's on your bedside table?

Only a red anglepoise lamp, which my father bought when he was 21 and gave to me when I was a teenager. I like things quite minimal.

Colin is a photographer specialising in weddings and editorial work, with a passion for landscape and street photography. 

colinnichollsphotography.com

You can see more of Colin's images and read our guide to East Anglia in issue seven of Ernest Journal, on sale now.

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Issue seven is ready to meet the world

We’re delighted to announce that issue seven is available to order!

Before we dive in and tell you what’s coming up – an explanation as to why we’ve been off the radar recently. Over the past nine months, Ernest Journal has been undergoing a quiet evolution. When we first launched in early 2014, independent publishing was just beginning to flourish. Now we find our journal nestled between countless new titles and while it’s wonderful to be part of such a thriving subculture, it’s also time to reflect on what makes Ernest distinctive and how we can refine things a touch. 

And so, ever since issue six came out, we’ve been boiling Ernie down. Among other more subtle changes, we’ve stripped away categories to create space for long reads, launched a series of essays and grown our ‘destination’ section to a whopping 40 pages. To be honest, we’re not entirely sure how we found the space. Ernest is clearly a TARDIS. 

This looser structure has allowed us the freedom to focus on the sort of storytelling that, we think, makes Ernest unique. We’ve highlighted some of the articles we’re most excited about below and we’ll be sharing further insights over the coming weeks.

Thank you so much for your patience and for continuing with us on this journey – we know that many of you have been awaiting this edition for some time and we're sorry to have kept you waiting.  

Also, a special thank you to everyone who has been with us from the very beginning and to the completists who have been staunchly collecting back issues. It makes us beam with pride to think of Ernest Journal stacking up on bookshelves around the world. 

Subscribers, we will post your copy out fresh from the printers in about two weeks' time. You can also order issue seven from our online store, or wait for it to arrive with your local indie magazine retailer. In the meantime, we’d be over the moon if you could share news of the new edition with your friends and followers. And please do get in touch with any queries and to let us know what you think!

Right, let's have a look at what's inside... 

Inventory I

A treasury of artefacts, specimens and curious tales including the immortal jellyfish, subterranean mail trains, disappearing sounds, cryptic messages, ghost net goods and techniques for cooking with shed tools.

Mapping Antarctic women

In a bid to celebrate the vital roles women have played in shaping our knowledge of the Antarctic, humanitarian writer and researcher Carol Devine is re-mapping the frozen continent, shining a light on female place names and sharing their little-known stories.

Bread making in space

A team of engineers, scientists and food researchers is striving to bring the simple pleasures of (crumb-free) bread to homesick astronauts.

The Kearton Brothers

Meet the Victorian duo who developed the photographic hide through a series of absurd devices.

Route 500

Journey with photographer Sarah Mason as she finds a tonic for her anxiety in the wild landscapes of Scotland’s north coast.

The evolution of sea charts

Today we rely on GPS devices to navigate, but it wasn’t so long ago that nautical charts told of coastal topography, off-lying islets and even mythical islands – and of course, guided us safely through the high seas. C.C. O'Hanlon navigates the history of nautical cartography, from tactile maps to medieval charts.

Prince Philip: volcano god

Travel to the Melanesian island of Tanna where residents worship Prince Philip as a 'garden god'.

Inventory II

A smörgåsbord of photography, apparel and wild food, including a journal of winterscapes, the etymology of wetlands, swimwear made from waste, how to make jerky, a tent hammock and how to create a mountain cyanotype.

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Making an Exhibition of Themselves

A stiletto umbrella for defensive purposes, a pen knife with 80 blades and an envelope folding machine – just three of the items unveiled at the Great Exhibition of 1851, the greatest show and tell session the world had ever seen...

Lewis Carroll said the Great Exhibition was “like a sort of fairyland”, while essayist Walter Bagehot wrote that it was “a great fair under a cucumber frame”. The Crystal Palace was built especially for the show – over 30 metres high and the size of 15 football pitches, with over 10 miles of aisles. 

The exhibition was the brainchild of Prince Albert and was opened by Queen Victoria on 1 May 1851. During the six months its doors were unlatched, visitors consumed 28,046 sausage rolls, 1,000 gallons of pickles and 37 tons of salt. Six million people paid entry to walk among its exhibits from all over the world, including a piano that could be played by four people at once, papier mâché furniture, and a dressing table that doubled as a fire escape. 

Visitor Mary Smith was recorded marvelling over an invention that may have inspired Wallace and Gromit: a bedstead fitted with an alarm that on the set hour would fold itself up, hurling the sleeper out of slumber. Another display was a glass case holding 200,000 live bees, which brings to mind Damien Hirst’s formaldehyde installations. But what other Great Exhibits left their mark? 

The Tempest Prognosticator
By Dr George Merryweather, museum curator
Whitby, England

This elaborate apparatus was developed by Dr George Merryweather after he observed that leeches became agitated when there was a storm approaching. To harness this phenomenon, Merryweather placed 12 glass bottles around the base of a circular stand, at the top of which was a bell surrounded by 12 hammers. He placed a leech in each bottle, and as the leeches became agitated by an approaching storm, they would crawl up the bottle, dislodging a piece of whalebone, which would make the bell ring. Merryweather explained the reason for the bottles’ positioning was so the leeches could see their fellow inmates and “not endure the affliction of solitary confinement”.

This invention may have had an unpredictable influence, not just on natural barometers that followed, but also on subsequent studies into human barometers that looked at how approaching weather formations affect mental health.

You can see a replica of the Tempest Prognosticator on display at Whitby Museum. 

The Yacht Piano
By William Jenkins, inventor and manufacturer
London, England

What does every gentleman’s yacht need but a piano? And with William Jenkins’ clever design displayed at the Great Exhibition, a collapsible keyboard meant the notoriously cumbersome instrument could, when folded, measure just 131⁄2 inches from front to back. Made from walnut – and carved and ornamented in the Elizabethan style – Jenkins exhibited it as an “Expanding and Collapsing Pianoforte for gentlemen’s yachts, the saloons of steam-vessels, ladies’ cabins, etc.”

Various companies went on to make yacht pianos, including Chappell & Co and Crammer & Co, as well as London department stores like John Barker and Whiteleys. Some models were elaborately decorated for the most wealthy yacht owners.

Jenkins’ Yacht Piano may even have influenced later designs. In 1866, Charles Hess filed a patent for a ‘convertible bedroom piano’, which, as well as being a fully functioning instrument, came complete with a hidden couch, a closet for bedclothes, a wash basin and a music stool containing a writing desk and looking glass. 

The Comical Creatures
By Hermann Ploucquet
Stuttgart, Germany

Besides the Koh-i-Noor diamond from India, one other exhibit that was said to really capture the attention of the crowds was that of taxidermist Hermann Ploucquet. Even Queen Victoria herself described Ploucquet’s display as “really marvellous”.

Ploucquet’s tableaux featured a large number of stuffed animals in human scenarios. Among the scenes were duelling dormice, ice-skating hedgehogs, a frog carrying an umbrella, and six kittens serenading a piglet underneath her window.

A reviewer from the Morning Chronicle wrote,“The animals borrow exaggerated expression without losing their brute looks and the rationale of the irresistible risibility which they excite is the wondrous union of brute face with human expression.”

Plouquet’s exhibit was so popular, his book The Comical Creatures of Wurtenburg was rushed out in the same year. His work is thought to have had a great deal of influence on subsequent artists, such as taxidermist Walter Potter, as well as on a fair few greetings cards since. 

Words: Lela Tredwell, Illustrations: Johnathan Montelongo
 

Read the full feature in issue 6 of Ernest Journal, on sale now.

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Your TrailFit guide to Hampstead Heath

Running up Parliament Hill, stumbling upon a secret garden and taking a dip in the famous ponds: British adventure athlete and TrailFit ambassador Laura Kennington steps out in her KEEN Terradora to craft her own fitness routine in this iconic London park

Images by Conor Beary

The red buses, distinctive skyline and constant humming of movement, London can feel exhilarating and exhausting all at once. However, amid the chaos is an unmistakable charm. If you know where to look, London has some real hidden gems, pockets of wilderness that can be a sanctuary for those too busy to escape the city. Hampstead Heath is one such sanctuary. Surrounded by quirky coffee shops, characterful houses and historic buildings, it’s also home to 791 acres of ancient woodland and swimming ponds.

I’m between adventures at the moment, living nomadically, so I adapt my fitness routines to wherever I am so I don't need to go to the gym. This is the essence of TrailFit for me – making the most of wherever you are and being outside, even if you find yourself in a huge city like London. It's all about carving your own path to fitness. For me, the key to being active regularly is to make it easy, so it fits into your routine (such as your commute) and to make it fun.

My go-to shoe for when I know I'm going to be on my feet all day, even it's walking to and from meetings in London, is the Terradora. Its versatility means it works well in different environments, whether wild or urban.

Running up that hill

Even on a busy day, allowing a bit of extra time to walk, run or cycle not only keeps me fit, but it means I soak up, rather than insulate against, my surroundings. I’m constantly on the lookout for obstacles I can incorporate into my fitness routine: hills in the countryside and steps in the city. In Hampstead Heath I like to warm up against one of the ancient trees (below) before a run up Parliament Hill. At the top you’re rewarded to that quintessential London skyline – Canary Wharf, the Gherkin, the Shard and St Paul’s Cathedral – and feel a sense of almost smug contentment viewing frenetic city life from a peaceful park bench.

Laura makes use of natural features, such as trees, for stretching and warming up against

A walk in the park

Roaming the ancient woodland trails of Hampstead Heath is akin to stepping foot into Narnia. You can walk for hours through undulating terrain and quickly forget that this small oasis lies within Zone 2 of the Tube network. I'm always on the lookout for natural obstacles that I can incorporate into my ever-changing fitness routine. Trees such as these (below) are ideal for a body weight workout and I can clamber along fallen trunks to improve my balance. This is what TrailFit is all about – making the most of your surroundings and seeing the city as your playground. It really helps you to explore more and unlock your creativity – so much better than a stifling gym.

Who needs a gym when you've got the park as your playground?

Secrets to be shared

Stroll through Hampstead Heath’s 791 acres of ancient woodland and you might happen upon the hidden Hill Garden and Pergola (below) – an Edwardian paradise built by landscape architect Thomas Mawson for Lord Leverhulme, who hosted many a summer party here. It was built around the same time as the Northern Line – in fact the spoil from digging the tunnels was used to landscape the gardens. The Pergola, with its classical stone columns creeping with vines and flowers, is a fine place to meander and pretend you're in a period drama. The Terradora boot is the ideal companion for spontaneous rambles such as this. They're so lightweight and comfortable, I barely feel them on my feet.

Spontaneous rambles in your city can reveal hidden gems, such as London's Hill Garden & Pergola

Space to stretch and be you

Seek out the sculptures in Golders Hill Park (below) and the nearby stumpery – a quirky Victorian garden craze in which ferns and woodland plants are arranged around tree stumps. There's even a free zoo to explore and get up close to rare and exotic birds and mammals, such as laughing kookaburras, ring-tailed lemurs and ring-tailed coatis.

There are plenty of wide open spaces in the park to lay out a yoga mat, or go barefoot! I’m doing more yoga at the moment; I love that you can just rock up and do it anywhere. This is TrailFit at its core – redefining fitness in a way that gives you confidence and a sense of freedom. It gives you permission to be you – you don't have to mirror what the media dictates about how you should look or dress or keep fit.

Yoga is the essence of TrailFit: you can do it anywhere, even barefoot in the park

The ponds and a well-earned coffee

We’re not designed to live our lives in a temperature-controlled environment, cushioned against the natural world. Take a detour and change the pace. Sometimes, that change of scene you’re craving is much closer than you think.

Instead of competing for lane space and counting laps, dive into any number of outdoor pools London has to offer and revel in bird song as you glide through the water. At Hampstead Heath Swimming Ponds (below) it’s just £2 for a day pass. After a bracing dip, you’ll feel your senses enlivened, and a flat white and a spot of brunch in one of the independent cafés in Hampstead Village, such as local haunt Ginger & White, is guaranteed to taste better. 

The Terradora: embracing the TrailFit movement

The Terradora is a robust, lightweight andwaterproof boot designed especially for women that combines the support of hiking footwear with the flexibility and vigour of a trail runner. 

• Specifically designed for women’s feet 
• Cushioned panels reduce pressure on the Achilles tendon
• Low-density EVA midsole provides lightweight support for high intensity workouts and steep descents
• KEEN all-terrain rubber outsole for high traction grip
• Dual-density PU foam footbed
• Lightweight mesh upper
• KEEN.DRY Waterproof breathable membrane. 

KEEN’s Terradora comes in a mid (£109.99) and low (£99.99) style. Head to keenfootwear.com/trailfit-eu for more information, watch the Terradora video at bit.ly/ErnestTerradora and check our online directory for more stories from KEEN.

Follow on Instagram and Facebook @KEENEUROPE. Tag your pics #Terradora and #TrailFit to join the TrailFit movement.