The art of mismatching

Jennifer Meguro of Cravat Club believes the colours and patterns of a cravat and pocket square ensemble should be the sartorial equivalent of chalk and cheese

As a general rule of thumb, just like with neckties, you should avoid matching pocket squares with cravats. It looks far more sartorially elegant and sparks more interest if you opt for contrasting patterns, colours and textures for your outfit.

For example, pictured above, this Kelso printed silk cravat paired with a Hadrian woven silk pocket square introduces two different textures, colours and patterns to a very simple navy suit that really makes the whole ensemble come alive.

Here are more mismatched cravat and pocket square pairings that work well:

1. Donald Cravat with Vlad Pocket Square

2. Eikki Cravat with Sinclair Pocket Square

3. Raul Cravat with Hunter Reversible Pocket Square (on the reverse side)

Discover more about Cravat Club and their silk cravats and pocket squares in our online directory.

This is a sponsored blog post, created in collaboration with Cravat Club. For more information on partnerships and joining our directory please email advertise@ernestjournal.co.uk.

Explore a lost village in East Sussex

In issue two, David Bramwell explores a handful of Britain’s 3,000 deserted settlements – the drowned village of Derwent beneath Ladybower Reservoir, the ancient port of Dunwich now reclaimed by the sea and Tyneham, which was appropriated by the MOD for firing practice during the Second World War. Now you can explore a ghost village beyond the printed page on this walk near Brighton.

Balsdean in East Sussex succumbed to the same fate as Tyneham in Dorset. Once a functioning village with a manor house, farms and even a lunatic asylum, it was taken over by the Ministry of Defence in 1939 and used for firing practice. In 2012 the band Grasscut released the album 1 inch: ½ mile and conceived a walk around the ghost village of Balsdean to accompany the album. Psychogeographical day trips don't get much better than this. 

1 Inch: 1/2 Mile was conceived on the South Downs of Sussex, near the band’s home city of Brighton. This map details a secluded, half-forgotten valley on the fringes of the city. From the edge of the suburban housing estate of Woodingdean, the route descends through rolling downland into what was once the village of Balsdean, evacuated and subsequently destroyed during the Second World War. Of the manor house, cricket pitch, farms, cottages and lunatic asylum, nothing is now visible save a few scattered foundations; the site of the Norman chapel is marked only by a plaque. Those of a curious and/or dogged disposition might also like to know that the band have secreted, in the environs of Balsdean, a single, utterly unique Grasscut artefact. Its location is hinted at in bonus track A Lost Village.

Transport: There is a small car park on the hill above Woodingdean, just to the east of Brighton, at the junction of Bexhill Road and Falmer Road. There are also buses to Bexhill Road: 52 (from Brighton Station) and 22A (from Brighton’s Churchill Square); the bus stop is called Sea View Way. The walk should take around 50 minutes.

Start point
Walk over the bank at the top corner of the car park, and turn right along the first path. You will see two phone masts. Head towards the larger one on the right, beyond the houses. (This path is Norton Drive, and old drovers’ route between Brighton and Lewes). Keeping the houses on your right, continue for five minutes. 250 yards before the phone mast, the path divides into three. Take the left path, signposted as ‘South Downs Circular Walks’, towards a wooden gate 50 yards ahead.

  1. High Down
    Begin High Down as you pass through the wooden gate, again signposted ‘South Downs Circular Walks’. Continue along the path ahead, past the burnt-out car to your left.
     
  2. Old Machines
    As the path bends slightly to the right, there is an old gate-post in the fence, and a gorse bush with a concrete post in it to your left. Begin the song Old Machines. The path starts to descend into the valley and, to your left, the views open up towards Castle Hill.
     
  3. Meltwater
    The side of the valley falls more steeply to your left, and you pass two trees with fallen trunks. 50 yards on, at the third and largest fallen trunk, begin Meltwater. The grassland opens up as you descend out of the gorse, and Balsdean’s ruined buildings come into view below you to the left.
     
  4. The Tin Man
    The path continues to bend to the right, parallel to a line of trees across the field to your left. As it bends more sharply, begin The Tin Man, rounding the field edge down into Standean Bottom.
     
  5. Muppet
    The path skirts the field edge and curves to the left, towards a gate at the western end of Standean Bottom. Begin Muppet as you go through the gate, and follow the path past the hawthorns and into an avenue of trees.
     
  6. 1946
    At the junction of paths at the end of the avenue of trees, you are in what was once the centre of Balsdean. Turn left towards the ruined farm buildings and begin 1946. After 100 yards, you pass half-buried foundations in a field to your right. After another 50 yards, turn left off the path, and walk 25 yards up to a small heap of stones. Here you will find a plaque marking the site of the chapel.
     
  7. The Door In The Wall
    Return to the path and continue to the farm buildings. Follow the path to the right of the barns and go through the gate. Begin The Door In The Wall. At the corned of the fence, turn left off the main path, at approximately 10 o’clock. Cross the grassland uphill towards a stile 200 yards away. Climb the stile and follow the steep track back up the side of the valley.
     
  8. Passing
    Rejoin the main path, taking a moment to regain your breath. Turn right and start Passing as you retrace your steps towards the start of the walk.
     
  9. In Her Pride
    As you ascend through the gorseland, begin In Her Pride.
     
  10. A Lost Village (bonus track)
    As the path continues to rise towards the head of the valley, begin bonus track A Lost Village.

Listen to Grasscut's album 1 Inch: 1/2 Mile on their website. Read the full feature on Ghost Villages in issue two of Ernest Journal.

David Bramwell is a regular contributor to Ernest Journal. His recent album, The Water Between Us by Oddfellow’s Casino, was inspired by the haunting memory of a drowned church in a Derbyshire reservoir reappearing during the great drought of 1976.

Elements of wit

Perpetual calendars, letterpressed stationery and clever innovations to streamline your desk space – Ernest has chosen wisely from design duo Witshop's playful wares

Perpetual Calendar, £21A stroke of design genius, this calendar sits neatly on your desk and there’s even a blackboard for you to chalk up the month.

Perpetual Calendar, £21
A stroke of design genius, this calendar sits neatly on your desk and there’s even a blackboard for you to chalk up the month.

Maths Paper Notebooks, £9A celebration of school maths papers in a set of three: dotted, squared and isometric, bound in letterpressed covers. 

Maths Paper Notebooks, £9
A celebration of school maths papers in a set of three: dotted, squared and isometric, bound in letterpressed covers. 

Veg Tea Towel, £10.50Screen-printed in Yorkshire, depicting root veg in the style of a school science chart, but with a modern graphic feel. 

Veg Tea Towel, £10.50
Screen-printed in Yorkshire, depicting root veg in the style of a school science chart, but with a modern graphic feel. 

Fish Print, A3, £18Vibrant risograph print of hand drawn illustrations of trout, sole and sea bream, inspired by an old science poster. 

Fish Print, A3, £18
Vibrant risograph print of hand drawn illustrations of trout, sole and sea bream, inspired by an old science poster. 

Spirograph Sketchbook, £7.50Inspired by Witshop’s visit to Kerala where street hawkers sold spirograph sets.We love the silver ink letterpressed covers. 

Spirograph Sketchbook, £7.50
Inspired by Witshop’s visit to Kerala where street hawkers sold spirograph sets.We love the silver ink letterpressed covers. 

Aztec Gift Wrap Pack, £5.40To make your pressie zing with colour this pack comes with jazzy green gift wrap, yellow greeting card and orange ribbon. 

Aztec Gift Wrap Pack, £5.40
To make your pressie zing with colour this pack comes with jazzy green gift wrap, yellow greeting card and orange ribbon. 

Wood Gift Wrap Pack, £5.40Ideal for nature lovers this pack comes with a sheet of wood grain gift wrap, greeting card, envelope, gift tag and raffia ribbon. 

Wood Gift Wrap Pack, £5.40
Ideal for nature lovers this pack comes with a sheet of wood grain gift wrap, greeting card, envelope, gift tag and raffia ribbon. 

Hanging Organiser, £38Write notes on the pad, pin reminders on the cork board and store paper in the nubuck leather pocket – an office godsend. 

Hanging Organiser, £38
Write notes on the pad, pin reminders on the cork board and store paper in the nubuck leather pocket – an office godsend. 

Discover more about Witshop and their design-led stationery homewares in our online directory.

This is a sponsored blog post, created in collaboration with Witshop. For more information on partnerships and joining our directory please email advertise@ernestjournal.co.uk.

Word of the week: warison

warison

\wa-rə-sən\

noun: a bugle call to attack

The battalion charged forward the instant they heard the warison.

Did you know?

When Sir Walter Scott first encountered 'warison' around the beginning of the 19th century, it was a rare word that had been around for 600 years, occasionally used to mean either 'wealth' or 'possessions' or 'reward'. In his 1805 poem The Lay of the Last Minstrel, Scott used the word to refer to a bugle call ordering soldiers to attack, probably because he misinterpreted what the word meant when he read it in 'The Battle of Otterbourne', a ballad found in Thomas Percy's Reliques of Ancient English Poetry. The original word (which Scott encountered as Middle English waryson) derives from the Anglo-French garisun, which means 'healing' or 'protection' and is also the source of the English word 'garrison', meaning 'a military post'.

This is taken from 365 New Words-A-Year 2015 Page-A-Day Calendar
pageaday.com 

Edible seaweed

Head to the coast for a seaweed forage along our bountiful shorelines - Dan Scott of Fore Adventure is your guide...

Photos: Justin Glynn

Gutweed, Ulva intestinalis (top left)

This is a great seaweed to start with because if you get it wrong, you’re not going to make yourself ill. It’s the wild garlic of the seaweed world. You can find this green stringy weed in rock pools and salt marshes and it’s easy to spot because it has a passing resemblance to intestines, hence the name. You can bake it in bread or throw it into omelettes, but I like to trick my children into eating it by sneaking some into a stir fry or fajitas. Just chuck it in for the last 30 seconds of cooking.

Saw toothed wrack, Fucus serratus (top right)

Saw toothed wrack grows in heavy bunches on the lower shore, just above the low water mark on sheltered, rocky shores. It's often harvested for use in cosmetics rather than for food, but just like its cousin bladderwrack it makes a great tea or Japanese noodle soup. You can also use it to add flavour to a stew or to sauté your fish over (see bladderwrack, below). Alternatively, you can dry it then grind into a powder and use as a salty condiment.

Bladderwrack, Fucus vesiculosus (bottom left)

You’ll find this in shallow rocky areas. You can use the young tips to make a salad or lightly steam them as a side vegetable. For the ultimate seaweedy taste, sauté your fish over them. Simply place in the bottom of a heavy bottomed pan with some butter and cook your fish on top. The oil is also good for gnarly old sea hands – if you pop the bubbles and rub it into your hands, it’ll moisturise your skin a treat.

Pepper dulse, Osmundea pinnatifida (bottom right)

You can find pepper dulse growing in layers on rocks in intertidal zones. It’s not a commonly eaten seaweed but in small quantities it is a real treat with a unique salty, peppery flavour. Throw it into fish dishes as a seasoning or on top a salad to give it a powerful peppery taste. In Scotland it used to be gathered and dried as a substitute for pepper and is still a key ingredient in some traditional Highland soups.

Dan Scott is an outdoor adventure coach and guide at Fore Adventure on the Dorset coast. You can read more of his seashore foraging wisdoms in print issue 2 of Ernest Journalon sale now.