Paint it black

By applying an iron solution to carved wood, you can instantly ‘ebonize’ it, creating unique pieces with wonderful inky hues. Max Bainbridge turns to the dark side...

Max advises using either oak or walnut for ebonizing, due to their high tannin content. Image by Dean Hearne

Max advises using either oak or walnut for ebonizing, due to their high tannin content. Image by Dean Hearne

In this project I demonstrate how to ebonize a small oak bowl, using the natural tannin in the wood to blacken the surface. It’s a simple and natural process that gives an instant and completely transformative result. 

The ebonizing process is one that’s hard to believe even when you see it happening before your eyes. The basic principle is to create a chemical reaction between the wood’s tannin and iron oxide. Tannin is a tree’s natural defence against predators, and iron oxide is what we commonly know as rust. You can create an iron solution by steeping wire wool or iron nails in vinegar. Then, by applying this to the surface of a wood that is high in tannin, such as oak, you produce a chemical reaction that turns the wood black. 

Tools

Small oak or walnut bowl
Large jar
Water
White distilled vinegar
Iron nails or wire wool
Paintbrush
Cloths
Beeswax salve 

Method

1. Fill a large jar with two parts water to one part white vinegar, add the nails or wire wool and leave to soak. Do not keep a lid on the jar because while the vinegar reacts with the iron, a small amount of gas will be produced, which needs to escape.

2. Once the nails have been in the solution for at least a week, a layer of rust will form on the surface and the liquid will be brown or orange in colour.

3. Using a paintbrush, start applying the rusty vinegar solution to the surface of the wood and allow the reaction to take place. If you are using oak, the reaction will happen straight away and you will see the colour change in front of you. Observe how the colour develops and keep applying more solution if you wish to intensify it.

4. You can keep applying layers, allowing each layer time to dry, until the colour doesn’t get any darker. Once you are happy with the colour, give the surface of the wood a wipe down with a cloth.This may result in some of the colour rubbing off, but keep going until nothing more comes off on the cloth. Leave the ebonized bowl somewhere ventilated to dry and allow the vinegar odour to evaporate.

5. When it is completely dry, apply a coat of beeswax salve.You will need to use a clean cloth just in case any residual pigment comes off the bowl as you apply the salve. Leave to soak in overnight and then rub down the following day. 

For more carving projects and woodwork techniques from the team behind Forest + Found, pick up a copy of The Urban Woodsman by Max Bainbridge (Kyle Books, 2016), £16.99.

This features in issue 6 of Ernest Journal, on sale now.

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Photo boards: mastering the backdrop

The art of creating a beautiful backdrop for small-scene photography has been made far simpler with Photo Boards – rigid, lightweight background boards where every splinter, grain of wood, rusty nail and thread of linen are true to size. We spoke to Lyndsey James about her designs...

Lyndsey, Photo Boards® is such a clever, yet simple, idea. How did you come up with the concept?

Thanks! As a commercial photographer, I have spent a lot of time looking for backgrounds. I had the idea about three years ago, when some vinyl backdrops I purchased just weren’t of the quality I needed for close-up work, like jewellery, but I had just started teaching online and knew it would be a huge undertaking to manufacture, market and ship products to customers at a time when I was already super busy. 

I decided back then that if someone still hadn’t produced something like this in three years, then I'd go ahead and do it. It helped that I had a huge customer database of photography students to market them to, but I didn’t quite expect them to go viral in the way that they have – after just two months we were dispatching worldwide from a warehouse! 

What exactly are Photo Boards? 

They are table-top sized background boards for small scene photography with two essential features – they are true to size replicas and in a board format. As a photographer taking close up shots, you want a fake background to look like the real thing, so every splinter, rusty nail and thread of linen in the designs is actual sized. 

It being a rigid lightweight board design is also important for photographers, because it means that your set becomes mobile, allowing you to pick it up and move to a window for more light, or rotate your board to adjust your shadows without having to set up from scratch. To use a Photo Board, you simply use it like you would an actual piece of board, placing it on the table or floor or propping it up for a vertical background.

The textures of each Photo Board are strikingly crisp and as close as possible to the real surface - how do you achieve such clarity?

Yes, they look so real sometimes we do a double take! We spent a lot of time researching the base materials, inks and processes used to create the boards. They are created using the latest in high-resolution scanning and printing techniques, and laser cut to perfection to ensure each board looks smart before being wrapped in a clear sealed wrapper. 

People often think they're just prints of stock images but you just couldn’t get the true replica quality without having full control of the resolution at every stage. Each board starts out as an actual board from my collection of backdrops or we paint new designs when we fancy introducing a new colour or texture to the collection.

Which Photo Boards are the most popular? 

The most popular designs are neutral because they are the most versatile. Our customers can add a splash of colour to a neutral background with their subjects or props, layering their scenes on top of the neutral Photo Board base. We have seen the same wooden design used as an effective wooden floor, cabin wall, kitchen table, rustic desk – our customers always delight us with their creativity!

Why is it important for makers and bloggers to carefully consider backdrops for shooting their products?

A good background can really make or break an image, which of course is important for makers and bloggers who want their shots to be shared on social platforms to pull traffic and interest to their blogs and stores.

Readers and buyers love to aspire to a lifestyle, and for effective lifestyle shots you should always ask yourself does this photo look like real life? One example is that solid surfaces, such as wood and marble, don’t usually bend and curve, so if you use a wood or marble effect paper that curves behind your subject, it won’t look like a real lifestyle setting. Using a flat wood or marble effect base for the table and plain wall behind would look more effective in that scenario.

What's your personal favourite go-to Photo Board?

We particularly love the marble designs and bloggers and food photographers love them too – marble is very on trend at the moment because it adds a touch of style and glamour to scenes. If I had to choose a personal favourite, it would be our French linen design because it looks so wonderfully real, yet, like all our boards, it's wipe clean!

You also run Photocraft, an online photography school that teaches makers how to tell the story of their products - when's your next course?

There are exciting changes going on at Photocraft – we're about to embark on the summer season of live workshops here in Rutland, which are fun, relaxed days of styling with lots of pretty props.

Online we're moving towards mini workshops and free webinars. Photo Boards has taken over big time so after three years of hosting tutor guided courses, Photocraft will now become the place to go for free webinars and mini courses about specific photography topics, such as how to create dark and moody lighting. Watch this space!

Discover more about Photo Boards at photoboards.org and follow @photoboardshq on Instagram. Find out more about Photocraft in our Directory.

This is a sponsored blog post, created in collaboration with Photocraft

Curious artefact: the orrery

We've teamed up with the Museum of the History of Science in Oxford to gain insights into scientific apparatus that revolutionised mankind's understanding of the world and the cosmos. Dr Sophie Waring is your guide to the orrery...

You can see fine working examples of orreries, such as this one, on display at the Museum of the History of Science, Oxford

You can see fine working examples of orreries, such as this one, on display at the Museum of the History of Science, Oxford

Mankind has always been curious about our place in the cosmos. For millennia we, rather smugly, believed that Earth was at the centre of the universe with celestial bodies orbiting around us. This was challenged by astronomers who made heliocentric (sun-centred) models of the universe after observing the movement of the planets. The first of these models was described by mathematician and astronomer Nicolaus Copernicus in 1543. He justified his system with astronomical observations and a rich geometric description of his model. It is this sun-centred model of the universe that an orrery usually depicts.

The great patron of scientific thinking, the Earl of Orrery, was given one of the first models and bequeathed his name to the invention. English clock makers George Graham and Thomas Tompion built the first modern orrery around 1704 while Christiaan Huygens published details of his newly-built planetary machine in 1703 from Paris.

The clockwork nature of these contraptions reflected our new mechanistic explanations of the universe made possible by Isaac Newton’s theory of gravity. Orreries would reflect and inspire the sense of awe people had in the 18th century as they discovered their place within a ‘clockwork universe.’

You can see working orreries on display at the Museum of the History of Science in Oxford.

Words: Dr Sophie Waring, Modern Collections Curator, Museum of the History of Science, mhs.ox.ac.uk

This originally featured in issue 5 of Ernest Journal, on sale now.

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Issue five is on sale now!

We're thrilled to announce that issue five of Ernest Journal hits the shelves this week and it's a corker of an issue, exploring the interconnected themes of time travel, slow journeys and solar exploration. Read on for more about what's in store and order a copy today...

24-page guide to Vancouver Island

Seek out old growth forests and storm-battered beaches in Tofino, before exploring a puzzle of islands characterized by fiercely independent and resourceful people and a finely balanced ecosystem.

Curious histories

Enter the unruly world of made-up languages; meet the small cryonics community striving for immortality; conduct time traveling experiments in your sleep and explore everyday tales of radiation. 

Spaces

Meet the photographer capturing every RNLI station in Britain using a Victorian photographic technique; learn about the humble geologist and map maker that changed the world, and explore time bending images that have been painstakingly restored to change the way we think about the past.

Slow adventure

Seek out simple shelter in the mountain bothies of the northwest Highlands; follow in the footsteps of The Peregrine author JA Baker, and journey with Tres Hombres as she ploughs across the Atlantic, carrying cocoa and barrel-aged rum in her wooden belly to herald the start of a new slow cargo movement.

Timeless style

Chart the evolution of British style through the post-war era of burgeoning café culture, modernist architecture and rock’n’roll, and explore the social history of the fisherman’s smock. 

Workmanship

Pick up the journey of an antiques restorer who plies his trade on the open road; explore the practice of solargraphy, a long exposure technique that records the path of our sun, and discover a movement that sees artists, perfumers and chefs blend their practice to create intriguing multi-sensory experiences.

Wild food

Unravel the history of the vindaloo; reimagine the strange, unsettling, yet magical recipes of The Futurist Cookbook with Bompas & Parr, and gather wild plants from the forest floor to make your own herbal first aid kit.

Issue 5
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Ernest curates: beauty in simplicity

Enjoy Ernest's curation of carefully-crafted things for the home, made in Britain and Ireland, from Simple Shape

The (Not Just For) Bread BasketWoven in willow, this basket is simple, practical, beautifully made and will last for a very long time. £34

The (Not Just For) Bread Basket
Woven in willow, this basket is simple, practical, beautifully made and will last for a very long time. £34

Elliott Ceramic Cup Simply stunning hand-thrown cups. The stain is worked into the clay leaving a delicate marbled pattern. £24 each

Elliott Ceramic Cup 
Simply stunning hand-thrown cups. The stain is worked into the clay leaving a delicate marbled pattern. £24 each

Jono Smart ‘Centre’ Egg CupThis slate-black egg cup will cradle a large egg beautifully, but its architectural design may steal the breakfast table limelight! £15

Jono Smart ‘Centre’ Egg Cup
This slate-black egg cup will cradle a large egg beautifully, but its architectural design may steal the breakfast table limelight! £15

405 Line Blanket A statement piece, not an over statement. The monochrome palette is reversible, woven in 100% wool in Wales. £320

405 Line Blanket
A statement piece, not an over statement. The monochrome palette is reversible, woven in 100% wool in Wales. £320

Ash TrivetEach ash segment in this trivet is carved and linked together by hand. An aesthetic object that will protect your table. £70

Ash Trivet
Each ash segment in this trivet is carved and linked together by hand. An aesthetic object that will protect your table. £70

BTU Studio Glass Cylinder A hand-blown glass cylinder threaded with white glass strands.  £50

BTU Studio Glass Cylinder 
A hand-blown glass cylinder threaded with white glass strands.  £50

Sue Pryke Charcoal PourerA jug for milk, cream or whatever you fancy, handmade by Leicestershire potter Sue Pryke. Simple. Gorgeous. £25

Sue Pryke Charcoal Pourer
A jug for milk, cream or whatever you fancy, handmade by Leicestershire potter Sue Pryke. Simple. Gorgeous. £25

Wooden Owl Toy This stackable owl is skillfully designed and beautifully made by Saturday Workshop in Dublin. For children big and small. £30

Wooden Owl Toy
This stackable owl is skillfully designed and beautifully made by Saturday Workshop in Dublin. For children big and small. £30

Mr Badger & Mr FoxWonderful creatures handmade by textile artist Mimi Soan. They are lightly weighted so they stand up tall. £65 each

Mr Badger & Mr Fox
Wonderful creatures handmade by textile artist Mimi Soan. They are lightly weighted so they stand up tall. £65 each

Jigsaw Food BoardWhether your dining setting is formal or relaxed, chic or rustic, these boards will look striking as the centre piece. £30 

Jigsaw Food Board
Whether your dining setting is formal or relaxed, chic or rustic, these boards will look striking as the centre piece. £30 

READER OFFER: Ernest readers receive a 10% discount with Simple Shape – just quote ‘Ernest10’ at the checkout. Discover more simple yet beautiful craftsmanship at simple-shape.com 

This is a sponsored blog post in collaboration with Simple Shape. To find out more about advertising with us or joining our Directory, email advertise@ernestjournal.co.uk