For issue 10, Sam Brewster created an atmospheric, nostalgic night scene to accompany Dan Richards' article about the renaissance of sleeper trains. Sam invites us into his studio to chat about the perils of the internet, lockdown limitations and the acoustic benefits of having a door for a desk.
Sam, you created this stunning illustration for Dan Richards' sleeper trains feature in issue 10. Take us through how you created the work .
I wanted to make something that captured the dreamlike feeling of being on a night train; the meditative constant sounds of it cutting through the landscape, and the transitory peace you find in those places. In the dark you can’t see much detail, so I wanted to evoke the impressionistic experience of seeing bushes, trees and fields as shadowy shapes flitting by.
How would you describe yourself as an artist?
As I work mostly as a commercial illustrator, I’d say prudent. I’m trying to do more personal work in painting and film, but it’s hard to find clarity of mind.
Where do you turn for inspiration?
Away from the internet as much as I can. It’s a constant battle to escape the Ouroboros and I feel like I’m usually losing.
Are there any other exciting projects you're working on at the moment?
I’m actually working on an illustrated book about trains right now – although I can’t share any specific details yet, I can say that it’s really fun to work on.
What have you taken away from the lockdown experience?
Professionally, I miss being in a shared studio where I can air ideas with other people and watch them grow. Right now I feel like a dormant seed bank.
Tell us about your work space – how does it reflect you?
I’ve got a big door that I use as a desk. I like that it’s wooden, feels warm and only makes a dull clunk when you drop pens and pencils, rather than loud, high-pitched clacks you get on those hard Ikea tabletops.
What's on your bedside table?
Not a lot. A lamp, water, empty teacup, remote for my radio alarm. I prefer to have some space there so it’s quite empty.
