Home brew

With this nifty bit of kit, which wouldn't look out of place in a Victorian chemistry lab, you could be sipping bottles of homemade beer within two weeks

Microbrewer one gallon kit, Box Brew Kits, £98

Microbrewer one gallon kit, Box Brew Kits, £98

Last time Ernest brewed his own beer he found himself with enough condiment to scatter over his chips for three months. Perhaps he needed one of these splendid kits from Box Brew Kits duo Mike Langone and Matt Gorman. This one gallon kit is the smallest of their range and comes with everything you need, including a recipe book with over 25 recipes, to brew 8-10 bottles of hopefully awesome-tasting beer that will impress your friends/partner/father/chippy.

Microbrewer one gallon kit, Box Brew Kits, £98

Dans Le Noir

There is a restaurant in East London where mobile phones are outlawed, non-fussy eaters are welcome and trust in your waiter is key, as Abigail Whyte discovered

Dans Le Noir means ‘in the dark’. Put simply; a restaurant with no natural or artificial light, where you eat in pitch blackness, served by waiters who are blind or visually impaired. The idea is to intensify your other senses through limiting the sense of sight, to gain a new perspective of the food you eat while also raising awareness of visual impairment. This concept of ‘dark dining’ or ‘blind dining’ was founded in Paris in 2004, and since then other Dans Le Noirs have popped up in London, Barcelona, New York, St Petersberg and Kiev.

After hearing it praised by the illustrious Stephen Fry on an episode of QI (a source of most of my knowledge and trivia), I took a friend along one winter’s eve, excited and anxious at the prospect of entering a pitch dark room full of strangers and cutlery. We were greeted in the (lit) reception area by our blind waiter and guide Darren Paskell. We chose from four secret set menus – Surprise, Meat, Fish or Vegetarian – which gave no other indication of what we were going to be served later. I opted for the Surprise menu.

We were asked to put all bags, coats and other trip-up-ables in a locker along with our mobile phones and luminous watches. “It’s amazing how many diners are reluctant to give up their phone, “Darren told me. “But that’s the beauty of Dans Le Noir; you sit and eat with your friend or partner with absolutely no distractions, just each other.”

Darren then placed my hand on his shoulder; instructed my friend to do the same on my shoulder, then he led us from the lit world through two black curtains into the dark world.

“Has anyone ever freaked out at this bit?” I asked him as we passed through the first curtain.   “Yes, my mum,” he replied. “She’s very claustrophobic. We got past this first set of curtains and my mum just said “No, I can’t go any further.” I had to take her back to the lounge where she was kept happy with wine. My dad went in and had his meal, though.”

Into the darkness

After the second curtain, that was it – I couldn’t see. I waved my hand in front of my face. Nothing. The first thing that struck me was the noise. It was like walking into the London Stock Exchange with the lights turned off. I don’t know whether losing the power of sight instantly makes you elevate your voice but it was certainly the case in Dans Le Noir’s dining room, laid out before me like a black and noisy void. As we were led to our table I felt the draft off waiters walking past, heard the clattering of cutlery and exclamations of “Cous cous – that’s definitely cous cous”, “I’ve just spilled my water!” and “Sorry, that was my leg”.

Darren seated us at what felt like a marble table, and gently guided our hands to show us where our cutlery, wine glasses and other dining paraphernalia was. I asked him about the layout of the restaurant. “The restaurant seats 60 people altogether and the layout of the tables never changes, otherwise things could get very confusing,” Darren’s voice, just above my head, sounded louder and deeper, almost of a late-night radio DJ quality. “Each waiter carries a walkie-talkie so we’re all in constant contact with each other and the kitchen.”

He then explained some of the slick and efficient procedures put in place to ensure each diner is given the correct plate of food. “Most of the food is served on square plates but any special dietary requirements are served on round plates so the waiter doesn’t accidentally give it to someone else.”

A guessing game

My first plate of food arrived and I gingerly gave it a prod with my fingers. Some sort of raw fish on a mound of something herby and grainy. “Salmon,” I declared triumphantly, after a mouthful. “No, it’s tuna,” a voice piped up next to me. We were sat next to a couple on a blind date (a common thing for diners to try at Dans Le Noir), one of whom was eating the same starter as me. Before I knew it, a conversation about taste and texture and other madcap dining experiences was struck up with these faceless strangers, which I doubt would have happened so freely and easily if we were eating in a normal lit restaurant obstructed by social barriers and conventions.

My main course was the most puzzling to fathom – I couldn’t work out what meat I was chewing. It was beefy, so I left my guess at that. I discovered later, when our menus were revealed to us back in the lit lounge area, I was very wrong. I won’t tell you what the meat was as I don’t want to spoil the surprise. Let’s just say it’s a stripy animal often found on the savannahs of Africa.

Darren joined us for a drink after the meal and apologised for tripping over a chair next to me when he was serving my dessert course earlier. I hadn’t noticed at the time. “I think my spatial awareness is pretty outstanding, if you don’t mind me blowing my own trumpet. I’ve only ever spilled something over someone once, which wasn’t my fault or theirs. They unwittingly put a glass of water smack bang in the middle of the table.”

I asked him what he enjoyed most about working here. “The interaction. Having fully sighted people putting their faith and trust in you. In most restaurants the waiter is there to be seen and not heard – they’re expected to deliver the correct meal to the correct person and that’s about it. Here, we’re guides, not waiters. People open up and want to know more about us. In a normal situation you might come across a blind person walking along the pavement and that’s it – there’s no time or call for interaction.”

Stripping it back

While the food wasn’t exactly boundary pushing (although my main course was certainly a surprise), the experience of sightlessly pouring myself a glass of water and sharing a meal with an old friend with nothing but the sound of our voices was stripping social interaction back to its bare essentials. No phone. No visual distractions. No judging on appearance. Dans Le Noir is the perfect place to shed your skin and just be yourself, or perhaps even be someone else for the night if you wish.

As we were leaving, I spotted a couple sat at a candlelit table in the corner, looking rather engrossed with each other. I wondered if they were the blind date people I’d chatted to in the dark earlier. Maybe. I thought it best to leave it a mystery. 

Dans Le Noir, 30-31 Clerkenwell Green, London EC1R 0DU
london.danslenoir.com

This featured in our fifth digital edition of Ernest Journal, available to download now.

Timeline of a handmade bike

From tube bending to silver soldering, Mark Meadows talks us through the production of his Series 01 – a small production run of 12 unique city bikes almost entirely made in Britain

Frames & forks

We're proud of the fact that Series 01 of Milk Bikes is almost entirely made on British soil. Firstly, the frame and forks are made by an up-and-coming frame builder called Jon Davis, who founded Fresh Fabrications last year, based in Croydon. Jon has an impressive bike building background (including working with the likes of Brompton), an eye for detail and is meticulous in his work. The frames he produces are always beautifully finished, which is why we were keen to work with him on this project – our first homemade frame.

Tube bending

One of the key visual aspects of the bikes is the curves, which are nicely highlighted by the paintwork. The bending is very hard to get right. If anyone has ever bent a tube, they'd know how easy it is to make ripples or crush the tube. There's also a varying amount of spring-back, depending on the size and type of tube. It took a couple of attempts before we were happy.

Silver soldering

The frame is fabricated using a combination of TIG welding and silver soldering. You've got to be on the top of your game for this, particularly on the TIG side of things, because the weld bead remains visible on the finished frame. Any dodgy bits will be there for the world to see.

Tube mitring

We use a CNC milling machine to do most of the drilling and tube mitring so we know the accuracy will be fantastic. We also CNC custom dropouts and plates for the fork and chainstay crowns.

Spray the frame

The frame is then sprayed by the chaps down at Argos Cycles, then Simon from Woodguards adds the wooden parts. Once the wheels are added - that's it. We have a Series 01 Milk Bike.

Discover more about Milk Bikes in our online directory.

This is a sponsored blog post, created in collaboration with Milk Bikes. For more information on partnerships and joining our directory please email advertise@ernestjournal.co.uk.

Age of Reinvention #2

It's the second phase of our Age of Reinvention competition in collaboration with Pedlars and The Good Life Experience. This time, we're offering a pair of wooden fire sides – what would you make?

Photo kindly supplied by Sail.

Photo kindly supplied by Sail.

A century ago, Britain was known as “the workshop of the world.” It was a hotbed of invention and industry. After a 100 years of decline, we’re seeing a real resurgence of craftsmanship – a return of traditional industries, swathes of makers taking risks to set up businesses based on doing what they love and buyers who value the story behind the products they buy.

To celebrate this new age of innovation, we are launching the Age of Reinvention competition – a chance for amateur inventors to furrow their brows, doodle on graph paper and transform old items into unique and practical products. The competition is brought to you in collaboration with our friends at Pedlars, purveyor of wonderful homewares, gifts and quality vintage, and The Good Life Experience, a festival of music, food, culture and the great outdoors.

Between January and August 2015 we're offering eight items for reinvention. Each month, Ernest Journal and Pedlars will choose their favourite design concept then post the item to the inventor so they can work their magic. We will then exhibit the eight completed items at The Good Life Experience (18-20 September 2015) and give each successful inventor two free tickets to the festival and a subscription to Ernest Journal. The second item on offer is a pair of wooden fireplace sides – but what would you turn them into?

For inspiration, have a look at the winner of our first round: design-duo Francli show us what they're going to make with a vintage army canvas.

Item #2: Pair of wooden fireplace sides (64cm x 15cm x 2.8cm)

How to enter 

Simply share a sketch of your proposed design with us on Twitter or Instagram, mentioning @ernestjournal and @PedlarsWorld and using #AgeofReinvention.

The deadline for your first design idea is 8 March 2015. 

If you have any queries, email features@ernestjournal.co.uk

Terms and conditions:

1. The closing time and date is 11.59pm on 8 March 2015. Entries after that date will not be considered. 2. The winning entrant will be posted the item for them to reinvent and display at the Good Life Experience. 3. The prize is two tickets to The Good Life Experience and a subscription to Ernest Journal. 3. The prize is non-transferable and no cash alternative can be offered. 4. See our full terms and conditions.

How to make a proper Cornish pasty

Author and presenter James Strawbridge shares his ultimate recipe for a Cornish and national treasure

Images: David Griffin and Charlotte Strawbridge

Images: David Griffin and Charlotte Strawbridge

Pasties are essentially a shortcrust pastry disc filled with meat and vegetables and then hand-crimped. In Cornwall we’re proud to seal our pasties on the side in a rope-like crimp that keeps all the juice and goodness in for the baking while in Devon they tend to be crimped on top like an armadillo. The contents are always placed in raw and well seasoned with salt and pepper.

PASTRY 

500g/18oz plain organic white flour
125g/41⁄2oz salted butter
125g/41⁄2oz lard
165g/6oz water (for accuracy it’s better to weigh fluid)

Blitz the flour and diced butter in a food processor until you form a breadcrumb texture. Keep the processor spinning and gradually incorporate the cold water.When it forms into a ball, turn out onto a sheet of cling film and leave in the fridge for 1-2 hours. Slice into four and roll out into thin circles (25cm diameter) on a floured surface.

FILLING

300g/101⁄2oz beef skirt, finely chopped (this has good marbling and is nice and cheap)
125g/41⁄2oz finely chopped potato
125g/41⁄2oz finely chopped turnip
50g/2oz finely diced onion
1 tsp cracked black pepper
1 pinch of Cornish sea salt
Optional: a knob of butter for extra juiciness

CRIMP

Place 150g/5oz of filling in the centre of the pastry round and then fold both sides to the middle. Pinch the pasty closed around the edges and then start right to left and using your finger and thumb to roll the pastry over on itself into a rope-like crimp. At the end fold over the pastry back onto itself.

BAKE

Place a knife hole in the top of the pasty and place on baking paper. Brush with an egg wash and bake for 45 minutes at 180 ̊C.

The Posh Pasty Co was founded by James and Holly Strawbridge. Check out their pastries at poshpasty.co

Discover the history of this Cornish icon in the fifth digital edition of Ernest Journal, available to download now.