Globsters

Picture yourself strolling down the beach to be confronted by what can only be described as a blob the size of a small car. It’s a lifeless, featureless mass of, well, God knows what, but it’s certainly not a figment of your imagination. These peculiar entities are what’s known as globsters.

From the few remaining pieces of photographic evidence of globsters you could say that they all looked alike. Written accounts by witnesses, however, vary wildly from tusks to tentacles and even bioluminescent bristles.

These great heaps were often purported to be fantastical beasts but more often than not, a team of scientists would come on the scene and prove that they were, in fact, parts of a decomposing whale carcass. However, this can’t be said for all globsters.

In a minority of cases things started to get a bit odd, with photographs, reports and even the blobs themselves going missing. Some cases to this day, remain a mystery. Whether they were an undiscovered species of marine life, a creature from another solar system or just a stinking great hunk of a dead whale, no one knows, and perhaps never will. 

Words: Lewis Coupland

This was taken from print issue 2 of Ernest Journalon sale now.

Explore a lost village in East Sussex

In issue two, David Bramwell explores a handful of Britain’s 3,000 deserted settlements – the drowned village of Derwent beneath Ladybower Reservoir, the ancient port of Dunwich now reclaimed by the sea and Tyneham, which was appropriated by the MOD for firing practice during the Second World War. Now you can explore a ghost village beyond the printed page on this walk near Brighton.

Balsdean in East Sussex succumbed to the same fate as Tyneham in Dorset. Once a functioning village with a manor house, farms and even a lunatic asylum, it was taken over by the Ministry of Defence in 1939 and used for firing practice. In 2012 the band Grasscut released the album 1 inch: ½ mile and conceived a walk around the ghost village of Balsdean to accompany the album. Psychogeographical day trips don't get much better than this. 

1 Inch: 1/2 Mile was conceived on the South Downs of Sussex, near the band’s home city of Brighton. This map details a secluded, half-forgotten valley on the fringes of the city. From the edge of the suburban housing estate of Woodingdean, the route descends through rolling downland into what was once the village of Balsdean, evacuated and subsequently destroyed during the Second World War. Of the manor house, cricket pitch, farms, cottages and lunatic asylum, nothing is now visible save a few scattered foundations; the site of the Norman chapel is marked only by a plaque. Those of a curious and/or dogged disposition might also like to know that the band have secreted, in the environs of Balsdean, a single, utterly unique Grasscut artefact. Its location is hinted at in bonus track A Lost Village.

Transport: There is a small car park on the hill above Woodingdean, just to the east of Brighton, at the junction of Bexhill Road and Falmer Road. There are also buses to Bexhill Road: 52 (from Brighton Station) and 22A (from Brighton’s Churchill Square); the bus stop is called Sea View Way. The walk should take around 50 minutes.

Start point
Walk over the bank at the top corner of the car park, and turn right along the first path. You will see two phone masts. Head towards the larger one on the right, beyond the houses. (This path is Norton Drive, and old drovers’ route between Brighton and Lewes). Keeping the houses on your right, continue for five minutes. 250 yards before the phone mast, the path divides into three. Take the left path, signposted as ‘South Downs Circular Walks’, towards a wooden gate 50 yards ahead.

  1. High Down
    Begin High Down as you pass through the wooden gate, again signposted ‘South Downs Circular Walks’. Continue along the path ahead, past the burnt-out car to your left.
     
  2. Old Machines
    As the path bends slightly to the right, there is an old gate-post in the fence, and a gorse bush with a concrete post in it to your left. Begin the song Old Machines. The path starts to descend into the valley and, to your left, the views open up towards Castle Hill.
     
  3. Meltwater
    The side of the valley falls more steeply to your left, and you pass two trees with fallen trunks. 50 yards on, at the third and largest fallen trunk, begin Meltwater. The grassland opens up as you descend out of the gorse, and Balsdean’s ruined buildings come into view below you to the left.
     
  4. The Tin Man
    The path continues to bend to the right, parallel to a line of trees across the field to your left. As it bends more sharply, begin The Tin Man, rounding the field edge down into Standean Bottom.
     
  5. Muppet
    The path skirts the field edge and curves to the left, towards a gate at the western end of Standean Bottom. Begin Muppet as you go through the gate, and follow the path past the hawthorns and into an avenue of trees.
     
  6. 1946
    At the junction of paths at the end of the avenue of trees, you are in what was once the centre of Balsdean. Turn left towards the ruined farm buildings and begin 1946. After 100 yards, you pass half-buried foundations in a field to your right. After another 50 yards, turn left off the path, and walk 25 yards up to a small heap of stones. Here you will find a plaque marking the site of the chapel.
     
  7. The Door In The Wall
    Return to the path and continue to the farm buildings. Follow the path to the right of the barns and go through the gate. Begin The Door In The Wall. At the corned of the fence, turn left off the main path, at approximately 10 o’clock. Cross the grassland uphill towards a stile 200 yards away. Climb the stile and follow the steep track back up the side of the valley.
     
  8. Passing
    Rejoin the main path, taking a moment to regain your breath. Turn right and start Passing as you retrace your steps towards the start of the walk.
     
  9. In Her Pride
    As you ascend through the gorseland, begin In Her Pride.
     
  10. A Lost Village (bonus track)
    As the path continues to rise towards the head of the valley, begin bonus track A Lost Village.

Listen to Grasscut's album 1 Inch: 1/2 Mile on their website. Read the full feature on Ghost Villages in issue two of Ernest Journal.

David Bramwell is a regular contributor to Ernest Journal. His recent album, The Water Between Us by Oddfellow’s Casino, was inspired by the haunting memory of a drowned church in a Derbyshire reservoir reappearing during the great drought of 1976.

Word of the week: warison

warison

\wa-rə-sən\

noun: a bugle call to attack

The battalion charged forward the instant they heard the warison.

Did you know?

When Sir Walter Scott first encountered 'warison' around the beginning of the 19th century, it was a rare word that had been around for 600 years, occasionally used to mean either 'wealth' or 'possessions' or 'reward'. In his 1805 poem The Lay of the Last Minstrel, Scott used the word to refer to a bugle call ordering soldiers to attack, probably because he misinterpreted what the word meant when he read it in 'The Battle of Otterbourne', a ballad found in Thomas Percy's Reliques of Ancient English Poetry. The original word (which Scott encountered as Middle English waryson) derives from the Anglo-French garisun, which means 'healing' or 'protection' and is also the source of the English word 'garrison', meaning 'a military post'.

This is taken from 365 New Words-A-Year 2015 Page-A-Day Calendar
pageaday.com 

Word of the week: lunette

lunette

\lü-'net\

noun:

1: something that has the shape of a crescent or half-moon

2: the figure or shape of a crescent moon

"All the windows and doors were topped with lunettes of small-paned glass." – Theodore Dreiser, The Financier, 1912

Did you know?

'Lunette', a word borrowed from French, looks like it should mean 'little moon' – luna being Latin for 'moon' and '-ette' being a diminutive suffix. There is indeed some 17th-century evidence of the word being used for a small celestial moon, but that meaning is now obsolete. Earlier, in the 16th century, 'lunette' referred to a horseshoe having only the front semicircular part – a meaning that still exists but is quite rare. 'Lunette' has other meanings too rare for Merriam-Webster's Collegiate Dictionary but included in their Unabridged. Among these are 'a blinder especially for a vicious horse', and, in the plural form, 'spectacles'. (Lunettes is the usual term for eyeglasses in modern French.) The oldest meaning of 'lunette' still in common use is 'something shaped like a crescent of half-moon', which evidence dates to circa 1639.

This is taken from 365 New Words-A-Year 2015 Page-A-Day Calendar
pageaday.com 

Anatomy of a compass

The magnetic compass opened up unreachable parts of the ocean and made precise navigation possible. Duncan Haskell explores its innards for us...

Illustration: Aidan Meighan

Illustration: Aidan Meighan

GIMBAL The gimbal system was introduced for compasses used aboard ships on rough seas and had to remain level to give an accurate reading.To do this, two sets of pivots at right-angles are mounted in brass hoops around the compass and are able to rotate independently in the centre.

PIN For the needle to swivel freely it is positioned upon a sharp balance pin, which reduces any friction that may restrict its movement. 

ROSE CARD Fitted under the needle and pin, this circular card is annotated with the cardinal points N, S, E, W. Initially it was used to indicate the main winds sailors were familiar with at sea. 

NEEDLE The key component of the compass is the magnet itself, often referred to as the needle. The magnetised needle detects the Earth’s magnetic field and aligns itself accordingly, with the south pole of the needle being attracted to Earth’s magnetic North Pole.The end of the needle is often marked to indicate this.

This was taken from print issue 2 of Ernest Journal, on sale now.