On Familiar Ground: the highlights

At the start of our third national lockdown back in January, we launched a photographic series on Instagram, themed On Familiar Ground, inviting friends of Ernest to share their images taken on local walks during the course of the year, seeking the curious in the everyday, and the new in the familiar. We were blessed with an incredible array of contributors, from travel photographers and nature writers to outdoor counsellors and artists, all limited to roaming close to home and seeing their local landscapes with fresh eyes. We’ve compiled some of our favourite images and stories from the series below…

Nash Point, Glamorgan Heritage Coast, by Daniel Alford

Nash Point, Glamorgan Heritage Coast, by Daniel Alford

Photographer Rebecca Douglas is based in Thanet, Kent. She was born and raised by the sea, and for her, one of the silver linings of lockdown was to see visit nearby areas she’d never truly explored before the pandemic.

Pegwell Bay: “One sunset in December, I went for a walk at Pegwell Bay Nature Reserve, and so many of the elements aligned. The tide was high, the wind still, and the moon rose through the gradient of last light while marsh birds flocked together.

Fantastic Mr Fox: “I opened the backdoor, looked down the garden and spotted a visitor sitting in the climber on my neighbour’s shed. It looked at me and I looked at it. I started clicking; the fox was looking straight down the barrel of my lens.

Egret in the mist: “The weather vibes in Thanet are very muted here at the moment, with heavy cloud and fog clinging to the shore. It’s certainly reflecting the mood of current times.

Travel photographer Dan Cook is based in Sheffield. Throughout the series of lockdowns he often walked the same route every day to see the landscape change through the seasons, or explored areas he’d only ever previously passed through by car.

Dandelion ruff: “I try to use my daily walks as a creative outlet; taking my camera to familiar places and experimenting. In this case, with some intentional camera movement, I tried to make something interesting from a lone dandelion.

Woodland in the suburbs: “I picked one of the hottest days of the year for my longest walk during lockdown. The Sheffield Round Walk took me through familiar areas but also forced me to walk in places I only usually experience by car. I particularly enjoyed this small woodland squeezed between residential streets and a golf course.

Signs of summer: “I’ve appreciated the changes that summer brings a little more mindfully this year. My daily walks through a nature reserve always reveal a subtle change in colour or texture, as different plants and trees thrive in the typical mix of sun and rain.

Travel photographer Daniel Alford is based in Cardiff. During lockdown he found himself scouring Google Earth for local walks in the hope of scratching his adventure itch.

Dragons Back: “When lockdown measures were relaxed briefly in the summer, I headed into the mountains as often as I could. Eager to avoid the crowds, I explored the eastern Brecon Beacons for the first time.”

Lavernock Point: “This was about as far as my feet could take me during lockdown, a few miles along the coast from Cardiff Bay. Here you can see the red sands of the Triassic desert meeting the light limestone of the Jurassic seas.

Fossil, Lavernock: “Hunting for clues of ancient worlds a short walk from Cardiff Bay. The rocks here took me back into the warm shallow seas of the Jurassic, where this ammonite once floated, minding its own business.”

Writer and Outdoors Counsellor Ruth Allen is based in the White Peak, Derbyshire. She made the decision early on in the pandemic to stay as close to home as possible, barely using her car. This has meant her covering the same ground over and over again, inviting her to pay a lot more attention to detail, and to look at her local area in new, creative ways.

Trees: “What a slow, gentle lift it is to see the same trees through a whole turning of the seasons.”

Bird hide: “Being in a landlocked place has driven me to despair at times during lockdown. I’ve hankered for water, desperate to see the sea. During the winter months I cycled to my local bird reserve to just sit and gaze at the stretch of water and wintering birds for a while. It helps to look into the distance.”

Peephole: “With a new way of looking at my local area, every hole in a fence opens up the possibility of seeing things you would otherwise overlook. In the case, gulls in the sewage works.

Travel photographer Oliver Berry is based in Falmouth, Cornwall. Usually travelling to far-flung corners of the globe, he found himself having to adjust to this new reality of staying close to home during the pandemic, and spending a whole 12 months without ever leaving Cornwall.

Falmouth Docks: “The docks are 10 minutes’ walk away from my house. At night I can see the lights of the cranes and hear the drone of machinery. Over the last few months I’ve often walked there to look at the latest arrivals, and sometimes found myself tracking their journeys using GPS shipping trackers. It gives me a sense of connection to this old industry that’s kept the town going for nearly half a millennia.

Stormy sea: “A lot of people say they love the sea. But down here in Cornwall, people have a much more ambivalent relationship with it. Shipwrecks, storms, beachings and drownings have been part of Cornwall’s history for hundreds of years, and for me and many other Cornish people, it’s impossible to forget how capricious and untrustworthy the sea can be.

Writer Laura Pashby is based in the Cotswolds. During lockdown she would go out for a walk every day with her three sons and her camera in all weathers. She liked to capture foggy mornings (which happen often in her steep-hilled corner of the Cotswolds) and the sparkling winter light.

Hilltop bench: “I sat on a bench at the top of a hill, watching the valley filling up with fog. The hill on the opposite side of the valley floated like a tiny island in a sea of cloud.

Umbellifers: “Foggy morning are my favourite, and those with a dusting of frost are the most magical of all. These umbellifers looked so pretty, draped with spiderwebs.

Diverging path: “A favourite spot in the woods where a path diverges. The curve of the treetops made this scene feel otherworldly on a fog-softened morning.

Head over to our Instagram feed to see more images On Familiar Ground

Roaming close to home

In November 2020, artist and photographer Joseph Wright embarked on a project exploring the 165 public footpaths of his local parish on his daily lockdown walk. As part of our ‘On Familiar Ground’ series on Instagram, Joseph shares some of his spellbinding images with us…

All images by Joseph Wright

All images by Joseph Wright

The majority of the ideas for my work come from walking, alone. More often than not, these journeys begin at my own doorstep. Within 10 minutes I can be in the open countryside, within thirty minutes I can be out of sight of my village and already disconnecting mentally from the humdrum of life. There's something about the rhythm and pace of a good walk that puts you into a different mindset; more receptive to the world around you. Everything just seems to make sense when you’re walking.

There are 165 footpaths in our village parish and while I've walked them all over the years, indeed many of them multiple times, I had yet to really incorporate them into my photographic work. So, while we've been encouraged to stay local, close to home, I set forth to walk them all once more before the end of 2020 and attempt to encapsulate a single image, which for me typified seeing and experiencing each path.

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You can see more of Joseph Wright’s work at josephwright.co.uk and more of our On Familiar Ground series on Instagram.

How to lay and track a scout trail

Oh, for the halcyon days of scout camp. Living unwashed in a field for a week, playing with knives and fire, trading contraband, subsisting on fry-ups and E-numbers. Veterans of this wholesome experience will probably also have enjoyed the classic scouting game of tracking a trail, where you try to find your way to a secret location by following improvised symbols made from natural materials like twigs and stones.

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Directions
Arrows constructed out of sticks are the most helpful way to give directions, but less fun for this same reason. Subtler tactics include tying a tuft of grass to point the right way, or placing one rock on top of another then using a third rock to indicate direction. This latter arrangement is particularly difficult to distinguish from any old pile of stones, and has been responsible for many a wild goose chase.

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Help and hazards
Show-offs have a wider range of symbols at their disposal, including zig- zags to indicate water, or parallel lines for an obstacle. A generous scout might leave a cache or message for friends on their trail, marked by a square with an arrow coming off it. Sticks or stones placed inside the square indicate the number of paces to the drop – possibly a melted Mars bar or a dog-eared Point Horror sealed up in a sandwich bag.

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Gone home
A dot in a circle means that the scout has finished laying his trail and ‘gone home’, perhaps pausing to enjoy a crafty cig while his companions are hopelessly lost in the woods. This symbol has an extra poignancy for scouters, since it’s also a euphemism for death. To this day, if you get an email about an old scout leader with ‘gone home’ in the subject line, it means their trail is at an end.

Words and illustrations by Joly Braime

Raptor persecution

How you can support the fight against wildlife crime

Illustration by Dick Vincent

Illustration by Dick Vincent

At the height of the first national lockdown, while all the hillwalkers were stuck inside throwing lunges in front of Joe Wicks and plodding up and down the stairs to simulate the ascent of Kilimanjaro, something sinister was going on in our deserted countryside. The RSPB reported an unprecedented surge in “orchestrated” illegal bird of prey killings, as perpetrators took advantage of a temporary lack of witnesses.

Raptor persecution is nothing new. Birds like hen harriers, buzzards and goshawks are trapped, shot or poisoned, usually to stop them preying on more lucrative game birds. The RSPB says it’s often focused around grouse moors, and while the shooting lobby denies that this is the case, nearly 70% of those convicted of raptor persecution offences since 1990 have been gamekeepers.

Outdoor Provisions, who make natural energy bars in flavours themed around national parks, are committed to protecting our beautiful birds of prey. A proportion of their profits goes towards helping the RSPB investigate and prosecute raptor persecution – so as you head out into the Peak District with a cherry bakewell bar or bite down on a treacly parkin snack in the Yorkshire Dales, you’ll be supporting some of the area’s most embattled residents.

“Birds are really key to our experiences of the outdoors,” says Christian from Outdoor Provisions. “It links in with ideas of land access and land ownership.” And he’s keen to stress how urgently we need to act – some species like hen harriers are already teetering on the brink of extinction.

In practical terms, we can all do our bit to protect birds of prey while we’re out hiking or biking in the countryside. Keep an eye out for traps or dead raptors, especially if there’s a half-finished meal nearby which could indicate poisoned bait. If you do find anything suspicious, get photos and a GPS location if you can, report it to the police non-emergency number immediately and inform the RSPB’s investigations team.

You can also show your support for the campaign by ordering a £6 raptor pin badge from Outdoor Provisions, of which 100% of the profits will go to supporting the RSPB’s investigations into illegal wildlife crime.

Words: Joly Braime

Find more about Outdoor Provisions campaign at outdoorprovisions.co.uk/ramblings/the-majesty-of-raptors

This is a sponsored blog post, created in collaboration with Outdoor Provisions. For more information on partnerships please email advertise@ernestjournal.co.uk.

Issue 10 has landed

We're thrilled to announce that issue 10 has gone to print and will be landing on our subscribers' and Crowdfunders' doormats very soon. If you missed a chance to get your hands on a copy during our Crowdfunder campaign, don't worry - you can now order issue 10 or subscribe on through our store page

Cover photo by Dan Cook

Cover photo by Dan Cook

As many of you know, our partnerships for 2020 were postponed due to the coronavirus pandemic, so we launched a campaign to help us send issue 10 to print. Thanks to your support we raised an astonishing £14,845, which will help us to build a strong foundation for 2021 in these uncertain times.

Thank you for supporting independent publishing and helping us send issue 10 to print - we couldn't have done this without you.

So, without further ado, let’s take a look inside this brand new edition…

INVENTORY

Botanical cyanotypes; trail teas; ocean tapestries; lunar birds; sacred trees; mountain maps; Sheffield knife crafters and moonlit journeys.

MILK OF DEER

When a pair of Swedish newlyweds introduced reindeer to the Cairngorms after seeing striking parallels between the Highlands and their native homeland, little did they realise they were rejuvenating a Scottish herding culture that goes back to the Ice Age. Words: Nick Hunt, Illustrations: Ruth Thorp

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BEING NATURE

Lucy Jones, author of Losing Eden, investigates the language we use about the natural world, and how new words and voices are needed in the rubble of the pandemic. Photos: Sam Hobson

GASTROPHYSICS

You’re cruising at 31,000 feet. The drinks trolley beetles past and before you think about it, you’ve ordered a Bloody Mary – a slightly off-piste choice but one you’re craving all the same. As you take your first sip of the salty drink, you look around only to discover how many of your fellow passengers have opted for the same unusual beverage. Kate Tighe talks to leading gastrophysicist Professor Charles Spence about the quirks of this new field of food-related psychological interest. Illustrations: Adam Howling

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THE CONTINUOUS PLANKTON RECORDER

This contraption has been compiling a marine tapestry since 1931, and in recent years, has given us a unique insight into our plastic addiction and the health of our oceans. Words: Russell Arnott

TRAIN DREAMS

In the age of flygskam (noun, Swedish: the feeling of climate guilt associated with airline travel, literally ‘flight shame’), many of us are looking for an alternative – helping the environment and investing in our own comfort and idea of journey. Dan Richards recounts his nocturnal adventures and recent renaissance in European sleeper trains. Illustrations: Sam Brewster

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OCEAN TRAILS

The 2011 Fukishima Daiichi Nuclear disaster has been long out of the headlines but its devastating legacy is still having a domino effect, as radiation travels on deep ocean currents to new parts of world, including the fragile ecosystem of the Great Barrier Reef. Australian naturalist Paul O’Dowd is closely monitoring this invisible enemy, with the goal of sounding the alarm when disaster eventually strikes. Words and photos: Mack Woodruff

SEA NOMADS

Armed with sunglasses to protect his eyes from the dagger-like bills, Sam Hobson joins the seabirders, a group of scientists on the frontline of Britain’s gannet study and conservation effort.

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A CREATIVE PAUSE

During lockdown, photographer Jim Marsden trod the same path every day. The more he walked the path, the less aware he was of walking, and the more aware he was of thinking. The path became his place to pause, and his space to think.

THE ROOT BRIDGES OF MEGHALAYA

Grown over decades from the roots of the rubber fig tree, the bridges of Meghalaya are testament to a living architecture that crosses time and ancestry, as well as the gushing gorges of the Khasi hills. Words and photos: Willem Betts

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INTO THE UNFATHOMED

A singular figure who bridged the gap between science and literature, Rachel Carson recognised that “it is not half so important to know as to feel”. Within a decade, she would catalyse the conservation movement, introduce the word ‘ecology’ into common parlance and awaken the modern environmental conscience with her epoch-making Silent Spring. Words: Maria Popova

CHASING AURORA

From crossing lava fields in Iceland to enduring subzero temperatures in Canada’s bear country, photographer Rebecca Douglas reflects on her lifelong obsession with chasing the Northern Lights.

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AN OCEAN ODYSSEY

Inspired by a trip to South Georgia, an inhospitable island abundant in wildlife but with no permanent human inhabitants, Russell Arnott explores deserted whaling stations and delves deep into ocean migrations both great and (very) small).

WHAT WOULD GWEN DO?

Whenever photographer Hazel Simcox heads out into the mountains of North Wales, she often takes a particular book with her, not a guidebook, but a memoir. Fern Scott speaks to Hazel about the words of mountaineer Gwen Moffatt, and how they influence her experience, and images, of landscape.

Ernest Journal is 160 pages, perfect bound and printed in full colour on FSC approved uncoated 140gsm and silk 170gsm paper in Bristol, UK.

UK and international postage available. Postage & packaging dependent on weight and destination.

Subscriptions and pre-orders will be posted early October. Thank you for supporting independent journalism!